Linking to
the folklore-esque style of The Ballad of Buster Scruggs anthology, I am going to experiment with demonstrate different colour schemes and compositions to explore the power dynamic changes
in a retelling of Little Red Riding Hood.
I will produce several developed storyboards focusing on colour and composition exclusively.
I will produce several developed storyboards focusing on colour and composition exclusively.
The specific retelling I am going to allude to is The Werewolf from The Bloody Chamber by Angela Carter (1979). I think referencing another anthology will best support what I've found analysing the Coen Brother's film.
The Werewolf generally has three shifts in power:
- Wolf > Girl - the wolf attacks the girl
- Girl > Wolf - the girl fights off the wolf
- Girl > Grandma - the wolf was her grandmother. The girl hunts the grandmother.
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